Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 196 | Reclining Lady | Church of St Mary | Carrucofamiliares | Portrait of Maria Pavlovna |
Related Artists:
Guy Rose
1867-1925 Guy Rose Galleries Guy Rose (3 March 1867?C17 November 1925) was an American Impressionist painter who is recognized as one of California's top impressionist painters of the late 19th and early 20th centuries. Guy Orlando Rose was born March 3, 1867 in San Gabriel, California. He was the seventh child of Leonard John Rose and Amanda Jones Rose. His father was a prominent California senator. He and his wife raised their large family on an expansive Southern California ranch and vineyard?? the San Gabriel Valley town of Rosemead bears the family name. In 1876 young Guy Rose was accidentally shot in the face during a hunting trip with his brothers. While recuperating he began to sketch and use watercolors and oil paints. He graduated from Los Angeles High School in 1884 and moved to San Francisco where he did his art training at the California School of Design. In September 12, 1888, Rose enrolled at the Academie Julian in Paris and studied with Benjamin-Constant, Jules Lefebvre, Lucien Doucet and Jean-Paul Laurens while in Paris. In 1888-89, he won a scholarship at the Academie Delacluse. He met fellow students Frank Vincent and Frederick Melville at the Academie Julian -- Frank Vincent and Guy Rose were to remain lifelong friends. Rose lived New York, New York in the 1890s and illustrated for "Harper's," "Scribners," and "Century". Choosing to return to France in 1899, he and his wife Ethel Rose bought a cottage at Giverny. In 1900 he resided in Paris and spent the winter in Briska, Algeria where he painted three known paintings. From 1904 to 1912 husband and wife lived in Giverny and his works from this period show the influence of "the master" Claude Monet, who became his friend and mentor. In 1913-1914 the Roses summered in and held an outdoor sketching school at Narragansett, Rhode Island. Suffering on and off again from the effects of lead poisoning, Rose and his wife moved permanently to Los Angeles, California in 1914. In Los Angeles, Guy Rose taught and served as Director of the Stickney Memorial School of Art in Pasadena. In 1921 he suffered a debilitating stroke that left him paralyzed. Guy Rose died in Pasadena, California on November 17, 1925. In 1926 the Stendahl Gallery held a memorial exhibition of his works.
Friedrich Paul Nerly
(Venedig 1842-Luzern 1919 ) - Painter
Garofalo
1481-1559 Italian Garofalo Gallery Italian painter. Active mainly in Ferrara and the district around the Po delta, he was one of the most outstanding figures in Emilian classicism during the first half of the 16th century. In 1497 Garofalo father paid Boccaccio Boccaccino to teach his son the rudiments of painting. Garofalo first works were directly influenced by the Cremonese painter, to whom they were formerly even attributed. They consist of a series of small paintings depicting the Virgin and Child. The example in the Ca d Oro in Venice must have been Garofalo first painting and reveals not only the lessons learned from Boccaccino, but also signs of the influence of Domenico Panetti (c. 1460-before 1513), traditionally recorded as his first master. Another Virgin and Child (Assisi, Perkins priv. col.) shows signs of the early influence of Lorenzo Costa the elder, while the example in the Nationalmuseum, Copenhagen, shows a similarity with the early works of his contemporary, Lodovico Mazzolino. A particularly important project in Ferrara during the earliest years of the 16th century, involving numerous highly skilled artists, was the fresco decoration of the oratory of the Concezione. The frescoes (Ferrara, Pin. N.) represent a significant development in the city art. Garofalo hand has been identified in the Presentation in the Temple, in which he reveals a familiarity not only with local art, but also with the high points of Bolognese classicism, whose greatest exponents were Francesco Francia and Lorenzo Costa the elder. Around 1505, Garofalo works show a close familiarity with artistic developments in Bologna, in particular the mature style of Costa and the decoration in 1505-6, by Francesco Francia, Costa, Aspertini and others, of the oratory of S Cecilia in S Giacomo Maggiore. Garofalo Virgin Enthroned between SS Martin and Rosalia (Florence, Uffizi), created for Codigoro Cathedral, should be seen within this context, whereas the small altarpiece for the Arcivescovado, Ferrara, although executed at the same time, shows early, if faint, signs of the influence of Venetian painting of the period.